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・ Carl Stamitz
・ Carl Starfelt
・ Carl Starling
・ Carl Steadman
・ Carl Stearns Clancy
・ Carl Steenstrup
・ Carl Steffeck
・ Carl Steinfort
・ Carl Stenborg
・ Carl Stephens Ell
・ Carl Stephenson
・ Carl Stephenson (author)
・ Carl Stephenson (historian)
・ Carl Sternheim
・ Carl Stettler
Carl Saunders
・ Carl Saunders (footballer)
・ Carl Sautter
・ Carl Sawatski
・ Carl Sawyer
・ Carl Scarborough
・ Carl Schachter
・ Carl Schaefer
・ Carl Schaefer (artist)
・ Carl Schalk
・ Carl Scheib
・ Carl Scheibler
・ Carl Schenck
・ Carl Schenkel
・ Carl Schenstrøm


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Carl Saunders : ウィキペディア英語版
Carl Saunders

Carl Saunders (born August 2, 1942) is a jazz trumpeter, composer and educator who has worked with Stan Kenton, Buddy Rich, Bill Holman and Clare Fischer, in addition to singers such as Frank Sinatra, Ella Fitzgerald, Mel Torme, and Paul Anka. Trombone player Carl Fontana once called Saunders "the best trumpet player you've never heard."
== Origins ==
Born in Indianapolis, Indiana, his first five years were mostly spent on the road. His uncle was trumpeter-bandleader Bobby Sherwood, who was riding high with the popular Sherwood Orchestra, having hits with “Elks Parade” and “Sherwood’s Forest.” Saunders’ mother Gail (Bobby’s sister) sang for the Sherwood Orchestra and Stan Kenton, among others. When Carl was five, he and his mother settled in Los Angeles; living with Carl’s aunt Caroline and her husband, tenor-saxophonist Dave Pell. At the time, Saunders heard the records of the Dave Pell Octet and was influenced by the style and phrasing of trumpeter Don Fagerquist.
Saunders began playing trumpet in the seventh grade and he quickly found that he had a natural ability, mostly learning to play by ear and never having any lessons. He played in school bands, and after he graduated high school, his mother helped get him a job with Stan Kenton’s Orchestra. Saunders auditioned for Kenton’s band and was given a choice: wait for the first opening in the trumpet section or join the band the following week as a member of the mellophonium section. He chose the latter and spent much of 1961-62 on the road with Stan Kenton. Says Saunders about the experience with the mellophonium band: “I had developed a perfect pitch. However, once I joined Kenton to play the mellophone, my whole system got mixed up, because the notes that I read sounded higher than what I was used to.”〔( Interview with Carl Saunders on ArtistInterviews )〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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